Size: 41x29 cm with frame, artwork size 38x25.5 cm x 2.5 cm thickness (slate panel). [71] But he began to curse and swear: "I do not know that man you say". L'apôtre, entouré de ses attributs iconographiques typiques, est représenté en train de pleurer, ses mains jointes dans la prière et le regard extatique tourné vers le ciel pour invoquer le pardon divin.'' He then went out of the courtyard and the rooster crowed. ".The authorship of the work is to be linked to a painter active in Rome in the early seventeenth century, whose hand denotes high-level technical and executive skills, with stylistic influences that can only remember the master Guido Reni.The juxtaposition of the painting to the Rhenian corpus is sustainable both from the typological and stylistic point of view, the figure of the old recalls in fact in the somatic traits many other portraits of Saint Peter of the painter.San Pietro in the act of repenting was a subject frequently elaborated by Reni and his workshop, with numerous and significant variations: among the most famous are those kept at the Doria Pamphjli Gallery and at the National Gallery of Ancient Art of Palazzo Corsini in Rome , at the Pitti Gallery in Florence, as well as those of the Prado Museum in Madrid, the Kunsthistorisches Museum in Vienna and finally the Hermitage in St. Petersburg.Our work, of intense pictorialism, presents a very smooth, energetic but full-bodied execution; it is also expressed with a luminous incidence of great relief, in which the drapes of the mantle move lightly, while the light radiates intensely every single detail of the Saint. Et il a commencé à pleurer. En cliquant sur un élément de notre site Web, vous acceptez que nous utilisions des cookies. [68] But he denied: "I don't know and I don't understand what you mean". [66] Alors que Pierre était dans la cour, un serviteur du grand prêtre est venu [67] et, voyant Pierre se réchauffer, le regarda et lui dit: "Toi aussi tu étais avec le Nazaréen, avec Jésus". [68] Mais il a nié: "Je ne sais pas et je ne comprends pas ce que vous voulez dire". [72] For the second time a rooster crowed. Valuable oil on canvas painting depicting the repentance of Saint Peter. San Pietro dans l'acte de repentir était un sujet fréquemment élaboré par Reni et son atelier, avec de nombreuses et importantes variations: parmi les plus célèbres se trouvent celles conservées à la galerie Doria Pamphjli et à la galerie nationale d'art ancien du Palazzo Corsini à Rome , à la galerie Pitti de Florence, ainsi que celles du musée du Prado à Madrid, du Kunsthistorisches Museum de Vienne et …

Indicative weight 5 kg.Scuola Italiana - Pentimento di San Pietro,Huile sur ardoise - Non signé(e) - XVIII°/XIX° secolo,50.000 objets uniques sélectionnés et mis en vente chaque semaine par 216 experts.En créant gratuitement votre compte Catawiki, vous pourrez faire des offres sur n’importe lesquels de nos 50 000 objets d’exception proposés en vente chaque semaine.Afin de vous offrir la meilleure expérience possible sur notre site Web, nous utilisons divers cookies, y compris des cookies provenant de tiers. Painter active in Rome at the beginning of the seventeenth century.L'image intense traduit parfaitement le repentir de Pierre dérivant du remords d'avoir nié et trahi le Christ. Original gilt wooden frame, with metal supports on the back with original nails, designed to support the weight of the work. This precious oil on copper, which stands out for its high technical and executive refinement, represents the "Pentimento di San Pietro". ), pentimento di san pietro, sinopia, dalla cappella brancacci, 1425-26 ca.jpg From Wikimedia Commons, the free media repository Jump to navigation Jump to search [70] But he denied again. Excellently preserved, does not require restoration. The reality of the tears of Saint Peter is rendered through the use of strong contrasts of light and shade, common in the paintings in the style of Caravaggio and especially in the period of the Neapolitan Caravaggisti.

Excellently preserved, does not require restoration.

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